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Hip-Hop Will Never Die
Article by:
Kevin L. Clark
Personally, I am tired of the claims that Hip-Hop is dead and that the culture is a shell of its former self.
True, that the lyricism is kind of on the saccharin tip with half-ass emcees getting platinum success. But the question is… why support? It is easy to buck the mainstream monotony with all the conventional means that are accessible via the internet and others. XM and Sirius satellite radio are available to the paying public who wish to not listen to the same six songs on their local stations.
While they continue to play Dem Frachize Boys all over the country, I personally feel that they suck like the next Hip-Hop fan does. But, I do think that they have their place. Whether if you’re a one-hit wonder or have platinum success, an artists’ reign at the top comes from the fans (and some record labels purchasing of their shitty albums). Who has the new Raekwon mixtape? Is anyone bumping that Kidz in the Hall? While everyone is hailing Lupe Fiasco as a bastion of light that resides in the vein of real Hip-Hop, are we overseeing the other highly talented artists who can’t afford a Jay-Z or Kanyé West co-sign?
While the Louis Vutton Don may not give a beat to just anybody, the creativity is flooding back into the game. It is bubbling under the surface, ready to jump into the mainstream. Lupe kicked the door open with his opus Food & Liquor, but there are a slew of albums that are ready to drop that will blow the sh!t off its hinges.
New releases from Jay-Z, Nas, Kanyé West will be dropping in-or-after this fourth quarter. The public will support those individuals, surely. Although there are a slew of up-and-coming emcees that can bring us out of the “old man” rap of the early nineties and lead us into feeling like kids again while experiencing something new. Papoose, Saigon, One Be Lo, and Blitz the Ambassador are just a few who are a mixture of the past and a presence of the future that are a welcomed change from the stale state that our culture is currently in.
The Hip-Hop fan of today may not know what’s stale because they’ve never had the feeling of cracking open an Onyx CD. They didn’t hear 'Daytona 500' when it first dropped. Or an 'I Used to Love H.E.R.' as it blared out car speakers across America. Hip-Hop will never die as long as the culture continues to reinvent itself and remain honest and pure.
Nasir believes that “Hip-Hop is Dead”, yet his and other’s releases are keeping the game afloat. F*ck it if no one is pushing your album to the diamond mark. Hip-Hop wasn’t built on sales. This was never meant to be a corporate-ran business. Now, that it has become a multi-million dollar industry, of course the focus will be on dollars and cents. What makes sense is to realize what the Hip-Hop culture is up against… its own demise.
For as many influences Hip-Hop provides, the culture we all have known and love since forever is in need of a facelift. I’m not saying that we all need to turn our braggy-rap lyrics in and stop talking about what’s going on in the hoods of America. No way am I saying that we need to be a million Public Enemy’s, but I am advocating the creative spurt that has come from the likes of Gnarls Barkley, Joe Budden, Method Man and Redman.
Hip-Hop will never die, but it will never grow either if we continue to only support what corporations tell us is hot.
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